Got a close look at the new Canon MP980 as well. This replaces the MP970. Interesting printer.
They've removed the light magenta and light cyan from the 970 but added a gray tank for B&W printing. The pigment ink stays as before.
One thing though, their cartridges are indeed very small. I heard they were going to get smaller but I never realized that much smaller.
What was interesting was that Canon showed output from both the 980 and 9500. The differences between the two was indeed slight and would not be noticed by many consumers. Interesting they used an identical image that I had used once in comparing an Epson R200 to an iP4200 and the difference between the two was similar to that of the 980 and 9500. I saw increased tonal depth and dynamic range in the 9500 output just like the R200 seem to have this better than the iP4200. The 4 color printers appear to give a brighter image as if gamma was bumped up a bit and just seems to give up a bit of dynamic range at the same time.
Despite the theory of 4 color printing potentially doing it all, the multicolor models just seem to consistently exhibit higher quality images. Is it the extra colors that provides this advantage ? it could be another design criteria. I also wonder if the 4 color machines are targeted at consumers who might prefer bright and vivid pictures and where tonal and dynamic range is not an issue. I don't know exactly. But the comparison of output between their top end 9500 and 980 is an indicator of their deign criteria for target markets.
They've removed the light magenta and light cyan from the 970 but added a gray tank for B&W printing. The pigment ink stays as before.
One thing though, their cartridges are indeed very small. I heard they were going to get smaller but I never realized that much smaller.
What was interesting was that Canon showed output from both the 980 and 9500. The differences between the two was indeed slight and would not be noticed by many consumers. Interesting they used an identical image that I had used once in comparing an Epson R200 to an iP4200 and the difference between the two was similar to that of the 980 and 9500. I saw increased tonal depth and dynamic range in the 9500 output just like the R200 seem to have this better than the iP4200. The 4 color printers appear to give a brighter image as if gamma was bumped up a bit and just seems to give up a bit of dynamic range at the same time.
Despite the theory of 4 color printing potentially doing it all, the multicolor models just seem to consistently exhibit higher quality images. Is it the extra colors that provides this advantage ? it could be another design criteria. I also wonder if the 4 color machines are targeted at consumers who might prefer bright and vivid pictures and where tonal and dynamic range is not an issue. I don't know exactly. But the comparison of output between their top end 9500 and 980 is an indicator of their deign criteria for target markets.