- Joined
- May 29, 2007
- Messages
- 2,637
- Reaction score
- 1,388
- Points
- 313
- Location
- Ghent, Belgium
- Printer Model
- 2x SC-900, WF-7840, TS705
After experimenting a lot and trying the optimal mix to reproduce the essential orange and red inks, I came to the following conclusion:
-DON'T mix pigment inks. After trying several brands of pigment inks (Inktec Powerchrome, OCP K3), the results are suboptimal, not only is the hue of the orange not what it should be, but also mixing pigment ink sometimes will cause a slight precipitation of pigment particles (especially yellow pigment). Probably caused by changes in the ionic strength of some stabilizer(s) used to disperse the pigment particles.
-Use dye ink: for optimal fade resistance Fujitsu Dry Lab ink is superior. Thanks to Martin0reg I met last year during the ATT Börse in Essen (Astronomy Fair), I received a few samples of this fantastic ink and used this in my Epson R2000 printer, with very good results. The test prints are still as fresh and without the slightest sign of fading and are irradiated daily by the sun.
-Because of the usage of dye ink, the gloss optimizer is something unnecessary now. You can put my conditioning solution in the GO cartridge to keep the nozzles moist and hydrated.
For the CMYK cartridges: use the usual CMYK inks. I put dye PB ink in the PB cartridge and pigment matte black in my MB cartridge. However: both positions can be filled with dye, as dye ink is black enough on matte papers. For a generic Epson compatible dye CMYK ink, this is the formula:
Orange ink: 50% magenta + 50% yellow (based on weight, I use a microgram scale)
Red ink: 6 parts magenta + 1 part yellow (85.7 % magenta + 14.3 % yellow)
Because dye ink is a true solution, you won't get any ill precipitation or gelling effects as you might experience when mixing pigment inks.
However: a profile is still necessary to obtain optimal results.
Unfortunately I would be delighted if the red position can be replaced by grey ink, as dye ink has much brighter hue and saturation than pigment ink and the gloss optimizer by green. Orange and Green, like the Canon i9950/Pro 9000 and Grey like the Pro 100.
-DON'T mix pigment inks. After trying several brands of pigment inks (Inktec Powerchrome, OCP K3), the results are suboptimal, not only is the hue of the orange not what it should be, but also mixing pigment ink sometimes will cause a slight precipitation of pigment particles (especially yellow pigment). Probably caused by changes in the ionic strength of some stabilizer(s) used to disperse the pigment particles.
-Use dye ink: for optimal fade resistance Fujitsu Dry Lab ink is superior. Thanks to Martin0reg I met last year during the ATT Börse in Essen (Astronomy Fair), I received a few samples of this fantastic ink and used this in my Epson R2000 printer, with very good results. The test prints are still as fresh and without the slightest sign of fading and are irradiated daily by the sun.
-Because of the usage of dye ink, the gloss optimizer is something unnecessary now. You can put my conditioning solution in the GO cartridge to keep the nozzles moist and hydrated.
For the CMYK cartridges: use the usual CMYK inks. I put dye PB ink in the PB cartridge and pigment matte black in my MB cartridge. However: both positions can be filled with dye, as dye ink is black enough on matte papers. For a generic Epson compatible dye CMYK ink, this is the formula:
Orange ink: 50% magenta + 50% yellow (based on weight, I use a microgram scale)
Red ink: 6 parts magenta + 1 part yellow (85.7 % magenta + 14.3 % yellow)
Because dye ink is a true solution, you won't get any ill precipitation or gelling effects as you might experience when mixing pigment inks.
However: a profile is still necessary to obtain optimal results.
Unfortunately I would be delighted if the red position can be replaced by grey ink, as dye ink has much brighter hue and saturation than pigment ink and the gloss optimizer by green. Orange and Green, like the Canon i9950/Pro 9000 and Grey like the Pro 100.
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