Paul Verizzo
Print Addict
- Joined
- Apr 16, 2011
- Messages
- 427
- Reaction score
- 88
- Points
- 173
- Location
- Sarasota, FL, USA
- Printer Model
- Canon ip4500, 9000 MK II, PRO-
So I was running test prints on the papers I have to use as samples of what is available. I took a great B&W 1945 portrait of my mother (No wonder my father ditched another woman for her!) and printed it onto Inkpress Warm Baryta. The results were stunning! (I noted this in my thread asking if anyone's tried Inkpress papers.) I'm not going to say that the Dmax was superior to anything else available, but it was excellent, and the weird surface let it pretend it was a glossy without the issues of glossy. Think of it as a large grain random luster.
But that real captivator was that warm tone. There's a reason millions of portraits were printed on warm tone papers in the wet darkroom. All in the head, and it's all good.
It made me wish there were more warm tone papers available, and to make things worse, it appears that the Inkpress Baryta Warm is no longer available in 13x19"! Just new old stock. What a bummer.
Then the proverbial light bulb went on. I scanned a sheet of the paper and further investigation showed it to be 254-254-252 RGB. When I ran a sheet of non-warm tone photo paper through the printer using that scan I couldn't see any tonal difference. I'm certainly aware that those numbers are so nuanced that by the time the printer does its own best effort that it won't come out as planned.
So my next step was to create a jpg from Irfanview using custom color. A bit of futzing around, and I made a warm tone that I liked, as printed. I just set the printer on borderless and standard quality. Voila! Very warm tone on any paper I choose.
I made a test print of the same image, looked great! Went to the first one on the baryta, less than a week old sitting in a plastic sleeve..........something is really wrong. The deep black was gone. I ran a fresh print with the Inkpress and there is a huge difference in the two prints! Auto-fading?
But even better was the fact that my faux warm tone was best of all by a significant margin. Printed on Canon Semi-Gloss.
Obviously, you can increase or decrease the warmth, it's all in the yellow/blue channel. Download my blank warm tone image at: http://www.pbase.com/pzo/image/159091677 The black border is not part of the image. It's an effective 15"x20" size.
But that real captivator was that warm tone. There's a reason millions of portraits were printed on warm tone papers in the wet darkroom. All in the head, and it's all good.
It made me wish there were more warm tone papers available, and to make things worse, it appears that the Inkpress Baryta Warm is no longer available in 13x19"! Just new old stock. What a bummer.
Then the proverbial light bulb went on. I scanned a sheet of the paper and further investigation showed it to be 254-254-252 RGB. When I ran a sheet of non-warm tone photo paper through the printer using that scan I couldn't see any tonal difference. I'm certainly aware that those numbers are so nuanced that by the time the printer does its own best effort that it won't come out as planned.
So my next step was to create a jpg from Irfanview using custom color. A bit of futzing around, and I made a warm tone that I liked, as printed. I just set the printer on borderless and standard quality. Voila! Very warm tone on any paper I choose.
I made a test print of the same image, looked great! Went to the first one on the baryta, less than a week old sitting in a plastic sleeve..........something is really wrong. The deep black was gone. I ran a fresh print with the Inkpress and there is a huge difference in the two prints! Auto-fading?
But even better was the fact that my faux warm tone was best of all by a significant margin. Printed on Canon Semi-Gloss.
Obviously, you can increase or decrease the warmth, it's all in the yellow/blue channel. Download my blank warm tone image at: http://www.pbase.com/pzo/image/159091677 The black border is not part of the image. It's an effective 15"x20" size.